{"id":3002,"date":"2022-01-27T04:38:00","date_gmt":"2022-01-27T04:38:00","guid":{"rendered":"https:\/\/department-of-japanese-studies.local\/?p=3002"},"modified":"2022-01-27T04:38:00","modified_gmt":"2022-01-27T04:38:00","slug":"transgenerational-trauma-in-ichiyo-higuchis-warekara-a-multidisciplinary-approach-to-literary-research","status":"publish","type":"post","link":"https:\/\/djs.du.ac.bd\/?p=3002","title":{"rendered":"Transgenerational Trauma in Ichiyo Higuchi&#8217;s WAREKARA A Multidisciplinary Approach to Literary Research"},"content":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; hundred_percent_height=&#8221;no&#8221; hundred_percent_height_scroll=&#8221;no&#8221; hundred_percent_height_center_content=&#8221;yes&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; status=&#8221;published&#8221; publish_date=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; 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radial_direction=&#8221;center center&#8221; linear_angle=&#8221;180&#8243; background_color=&#8221;&#8221; background_image=&#8221;&#8221; background_position=&#8221;left top&#8221; background_repeat=&#8221;no-repeat&#8221; background_blend_mode=&#8221;none&#8221; animation_type=&#8221;&#8221; animation_direction=&#8221;left&#8221; animation_speed=&#8221;0.3&#8243; animation_offset=&#8221;&#8221; filter_type=&#8221;regular&#8221; filter_hue=&#8221;0&#8243; filter_saturation=&#8221;100&#8243; filter_brightness=&#8221;100&#8243; filter_contrast=&#8221;100&#8243; filter_invert=&#8221;0&#8243; filter_sepia=&#8221;0&#8243; filter_opacity=&#8221;100&#8243; filter_blur=&#8221;0&#8243; filter_hue_hover=&#8221;0&#8243; filter_saturation_hover=&#8221;100&#8243; filter_brightness_hover=&#8221;100&#8243; filter_contrast_hover=&#8221;100&#8243; filter_invert_hover=&#8221;0&#8243; filter_sepia_hover=&#8221;0&#8243; filter_opacity_hover=&#8221;100&#8243; filter_blur_hover=&#8221;0&#8243; last=&#8221;no&#8221;][fusion_text columns=&#8221;&#8221; column_min_width=&#8221;&#8221; column_spacing=&#8221;&#8221; rule_style=&#8221;default&#8221; rule_size=&#8221;&#8221; rule_color=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; animation_type=&#8221;&#8221; animation_direction=&#8221;left&#8221; animation_speed=&#8221;0.3&#8243; animation_offset=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">Transgenerational Trauma in Ichiyo Higuchi&#8217;s <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">WAREKARA &#8211; A Multidisciplinary <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 14pt;\">Approach to Literary Research<\/span><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Zsolt Nyeste<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 8pt;\"><span style=\"font-family: 'times new roman', times, serif;\">A PhD student of the Japanese Philology Doctoral Program at E\u00f6tv\u00f6s Lor\u00e1nd University, <\/span><span style=\"font-family: 'times new roman', times, serif;\">Budapest, Hungary. Currently working as, a Japanese teacher. <\/span><span style=\"font-family: 'times new roman', times, serif;\">Email: nyeste.zsolt@hunfalvy.com<\/span><\/span><\/p>\n<p><strong><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Abstract <\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">In this paper, I examine the heroine, Omachi&#8217;s fate in Warekara \u2013 one of the <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">last stories of Higuchi Ichiyo, the principal female author in the Meiji era \u2013using <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">multidisciplinary approaches. Besides literary theory, I mainly rely on a psychological <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">perspective and the relatively new concept of transgenerational trauma. This latter can <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">serve as an organising force behind the story&#8217;s episodic structure and also as a determining <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">factor in the fates of the story&#8217;s two heroines, Mio, and her daughter, Omachi. With the <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">use of multidisciplinary approaches, I expect to widen the possible interpretations of <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Warekara. <\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\"><strong>Keywords<\/strong> Ichiyo Higuchi&#8217;s WAREKARA . Omachi&#8217;s fate in warekara . Transgenerational <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">trauma in a Japanese short novel . Multidisciplinary approach to literary research .<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">https:\/\/doi.org\/10.55156\/jjsem.dec2131<\/span><\/p>\n<p>[\/fusion_text][fusion_button link=&#8221;https:\/\/department-of-japanese-studies.local\/wp-content\/uploads\/2022\/03\/31.-zSOLT.pdf&#8221; text_transform=&#8221;&#8221; title=&#8221;&#8221; target=&#8221;_self&#8221; link_attributes=&#8221;&#8221; alignment=&#8221;&#8221; modal=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; color=&#8221;custom&#8221; button_gradient_top_color=&#8221;&#8221; button_gradient_bottom_color=&#8221;&#8221; button_gradient_top_color_hover=&#8221;&#8221; button_gradient_bottom_color_hover=&#8221;&#8221; accent_color=&#8221;&#8221; accent_hover_color=&#8221;&#8221; type=&#8221;&#8221; bevel_color=&#8221;&#8221; border_width=&#8221;&#8221; border_radius=&#8221;&#8221; border_color=&#8221;&#8221; border_hover_color=&#8221;&#8221; size=&#8221;medium&#8221; stretch=&#8221;yes&#8221; icon=&#8221;&#8221; icon_position=&#8221;left&#8221; icon_divider=&#8221;no&#8221; animation_type=&#8221;&#8221; animation_direction=&#8221;left&#8221; animation_speed=&#8221;0.3&#8243; animation_offset=&#8221;&#8221;]Download[\/fusion_button][\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; hundred_percent_height=&#8221;no&#8221; hundred_percent_height_scroll=&#8221;no&#8221; hundred_percent_height_center_content=&#8221;yes&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; status=&#8221;published&#8221; publish_date=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; link_color=&#8221;&#8221; link_hover_color=&#8221;&#8221; border_size=&#8221;&#8221; border_color=&#8221;&#8221; border_style=&#8221;solid&#8221; margin_top=&#8221;&#8221; margin_bottom=&#8221;&#8221; padding_top=&#8221;&#8221; padding_right=&#8221;&#8221; padding_bottom=&#8221;&#8221; padding_left=&#8221;&#8221; gradient_start_color=&#8221;&#8221; gradient_end_color=&#8221;&#8221; gradient_start_position=&#8221;0&#8243; gradient_end_position=&#8221;100&#8243; gradient_type=&#8221;linear&#8221; radial_direction=&#8221;center center&#8221; linear_angle=&#8221;180&#8243; background_color=&#8221;&#8221; background_image=&#8221;&#8221; background_position=&#8221;center center&#8221; background_repeat=&#8221;no-repeat&#8221; fade=&#8221;no&#8221; background_parallax=&#8221;none&#8221; enable_mobile=&#8221;no&#8221; parallax_speed=&#8221;0.3&#8243; background_blend_mode=&#8221;none&#8221; video_mp4=&#8221;&#8221; video_webm=&#8221;&#8221; video_ogv=&#8221;&#8221; video_url=&#8221;&#8221; video_aspect_ratio=&#8221;16:9&#8243; video_loop=&#8221;yes&#8221; video_mute=&#8221;yes&#8221; video_preview_image=&#8221;&#8221; filter_hue=&#8221;0&#8243; filter_saturation=&#8221;100&#8243; filter_brightness=&#8221;100&#8243; filter_contrast=&#8221;100&#8243; filter_invert=&#8221;0&#8243; filter_sepia=&#8221;0&#8243;&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","footnotes":""},"categories":[17,18],"tags":[],"class_list":["post-3002","post","type-post","status-publish","format-standard","hentry","category-journals-of-djs","category-number-1-december-2021","category-17","category-18","description-off"],"acf":[],"_links":{"self":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/posts\/3002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3002"}],"version-history":[{"count":0,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/posts\/3002\/revisions"}],"wp:attachment":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3002"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3002"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}