{"id":2996,"date":"2022-01-27T04:33:31","date_gmt":"2022-01-27T04:33:31","guid":{"rendered":"https:\/\/department-of-japanese-studies.local\/?p=2996"},"modified":"2022-01-27T04:33:31","modified_gmt":"2022-01-27T04:33:31","slug":"a-contemporary-indian-expatriate-view-of-japan-with-reference-to-orienting-an-indian-in-japan-by-pallavi-aiyar","status":"publish","type":"post","link":"https:\/\/djs.du.ac.bd\/?p=2996","title":{"rendered":"A Contemporary Indian Expatriate View of Japan with Reference to Orienting an Indian in Japan by Pallavi Aiyar"},"content":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; hundred_percent_height=&#8221;no&#8221; hundred_percent_height_scroll=&#8221;no&#8221; hundred_percent_height_center_content=&#8221;yes&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; status=&#8221;published&#8221; publish_date=&#8221;&#8221; class=&#8221;&#8221; 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filter_opacity_hover=&#8221;100&#8243; filter_blur_hover=&#8221;0&#8243; last=&#8221;no&#8221;][fusion_text columns=&#8221;&#8221; column_min_width=&#8221;&#8221; column_spacing=&#8221;&#8221; rule_style=&#8221;default&#8221; rule_size=&#8221;&#8221; rule_color=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; animation_type=&#8221;&#8221; animation_direction=&#8221;left&#8221; animation_speed=&#8221;0.3&#8243; animation_offset=&#8221;&#8221;]<\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 14pt;\"><span style=\"font-family: 'times new roman', times, serif;\">A Contemporary Indian Expatriate View of Japan: <\/span><span style=\"font-family: 'times new roman', times, serif;\">Orienting an Indian in Japan by Pallavi Aiyar<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><strong><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">M. V. Lakshmi<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 8pt;\">Assistant Professor, Centre for Japanese Studies, School of Language Literature and Culture <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 8pt;\">Studies, Jawaharlal Nehru University, New Delhi. E-mail:mvlakshmi@gmail.com<\/span><\/p>\n<p><strong><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Abstract<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">In recent years, with the movement of people across nations, be it for economic <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">or political reasons, by choice or due to economic or political circumstances, the <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">opportunities to interact with one another across borders of one&#8217;s own country have <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">increased. Thiscan be seen in various milieus such as the workplace or socially, through <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">informal and formal platforms, through person to person contact and social networking. <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Diaspora literature is one of the significant genres of literature that has emerged because <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">of this movement of people across borders, and it has established itself as a genre of <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">literature in its own right. Another related genre of writing, namely, &#8216;expatriate writing&#8217;, <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">has also gained prominence. It would be important to note that expatriates, unlike <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">diaspora, are people who move to another country by choice, for a limited period with a <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">definite purpose or intention and are not permanent immigrants. <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">This paper will explore a work of contemporary Indian expatriate writing on Japan to <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">understand Japan as seen through the eyes of an Indian expatriate writer. Expatriate <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">studies can be studied as a specific discourse or given the distinction of a literary genre, <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">much like the work that is called a feminist or a Marxist theory (Ilyas, 2018). <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">The above statement refers to expatriate writing as a literary genre like feminist or <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Marxist writing with a theoretical basis. Orienting an Indian in Japan by a female Indian <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">journalist &#8211; Pallavi Aiyar, written in the year 2021, will be analysed for her perception of <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Japan. Before discussing the book and the author&#8217;s insights on Japan, the paper would first <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">elaborate upon the genre of expatriate writing and the unique perspective it offers vis-\u00e0vis <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">that of a tourist or a traveller&#8217;s account or a work of fiction.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\"><strong>Keywords<\/strong> Expatriate writing . India and Japan . Non-fiction . Self and the other . <\/span><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">Stereotypes .<\/span><\/p>\n<p><span style=\"font-family: 'times new roman', times, serif; font-size: 10pt;\">https:\/\/doi.org\/10.55156\/jjsem.dec2128<\/span><\/p>\n<p>[\/fusion_text][fusion_button link=&#8221;https:\/\/department-of-japanese-studies.local\/wp-content\/uploads\/2022\/03\/28.-M-V.pdf&#8221; text_transform=&#8221;&#8221; title=&#8221;&#8221; target=&#8221;_self&#8221; link_attributes=&#8221;&#8221; alignment=&#8221;&#8221; modal=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; class=&#8221;&#8221; id=&#8221;&#8221; color=&#8221;custom&#8221; button_gradient_top_color=&#8221;&#8221; button_gradient_bottom_color=&#8221;&#8221; button_gradient_top_color_hover=&#8221;&#8221; button_gradient_bottom_color_hover=&#8221;&#8221; accent_color=&#8221;&#8221; accent_hover_color=&#8221;&#8221; type=&#8221;&#8221; bevel_color=&#8221;&#8221; border_width=&#8221;&#8221; border_radius=&#8221;&#8221; border_color=&#8221;&#8221; border_hover_color=&#8221;&#8221; size=&#8221;medium&#8221; stretch=&#8221;yes&#8221; icon=&#8221;&#8221; icon_position=&#8221;left&#8221; icon_divider=&#8221;no&#8221; animation_type=&#8221;&#8221; animation_direction=&#8221;left&#8221; animation_speed=&#8221;0.3&#8243; animation_offset=&#8221;&#8221;]Download[\/fusion_button][\/fusion_builder_column][\/fusion_builder_row][\/fusion_builder_container]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[fusion_builder_container hundred_percent=&#8221;no&#8221; hundred_percent_height=&#8221;no&#8221; hundred_percent_height_scroll=&#8221;no&#8221; hundred_percent_height_center_content=&#8221;yes&#8221; equal_height_columns=&#8221;no&#8221; menu_anchor=&#8221;&#8221; hide_on_mobile=&#8221;small-visibility,medium-visibility,large-visibility&#8221; status=&#8221;published&#8221; publish_date=&#8221;&#8221; class=&#8221;&#8221; id=&#8221;&#8221; link_color=&#8221;&#8221; link_hover_color=&#8221;&#8221; border_size=&#8221;&#8221; border_color=&#8221;&#8221; border_style=&#8221;solid&#8221; margin_top=&#8221;&#8221; margin_bottom=&#8221;&#8221; padding_top=&#8221;&#8221; padding_right=&#8221;&#8221; padding_bottom=&#8221;&#8221; padding_left=&#8221;&#8221; gradient_start_color=&#8221;&#8221; gradient_end_color=&#8221;&#8221; gradient_start_position=&#8221;0&#8243; gradient_end_position=&#8221;100&#8243; gradient_type=&#8221;linear&#8221; radial_direction=&#8221;center center&#8221; linear_angle=&#8221;180&#8243; background_color=&#8221;&#8221; background_image=&#8221;&#8221; background_position=&#8221;center center&#8221; background_repeat=&#8221;no-repeat&#8221; fade=&#8221;no&#8221; background_parallax=&#8221;none&#8221; enable_mobile=&#8221;no&#8221; parallax_speed=&#8221;0.3&#8243; background_blend_mode=&#8221;none&#8221; video_mp4=&#8221;&#8221; video_webm=&#8221;&#8221; video_ogv=&#8221;&#8221; video_url=&#8221;&#8221; video_aspect_ratio=&#8221;16:9&#8243; video_loop=&#8221;yes&#8221; video_mute=&#8221;yes&#8221; video_preview_image=&#8221;&#8221; filter_hue=&#8221;0&#8243; filter_saturation=&#8221;100&#8243; filter_brightness=&#8221;100&#8243; filter_contrast=&#8221;100&#8243; filter_invert=&#8221;0&#8243; filter_sepia=&#8221;0&#8243;&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","footnotes":""},"categories":[17,18],"tags":[],"class_list":["post-2996","post","type-post","status-publish","format-standard","hentry","category-journals-of-djs","category-number-1-december-2021","category-17","category-18","description-off"],"acf":[],"_links":{"self":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/posts\/2996","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2996"}],"version-history":[{"count":0,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=\/wp\/v2\/posts\/2996\/revisions"}],"wp:attachment":[{"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2996"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2996"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/djs.du.ac.bd\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2996"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}